Table of contents

Foreword // Susan Brown & Mary-Jo Romaniuk
Preface // Ruth Panofsky & Kathleen Kellett

Part I
Place and the digital frontier
1 Mapping Tags and Tagging Maps: Leveraging Spatial Markup for Literary History // Susan Brown, Isobel Grundy, Mariana Paredes-Olea, Jeffery Antoniuk, & Breanna Mroczek
2 Modelling Collaboration in Digital Humanities Scholarship: Foundational Concepts of an emic ua Project Charter // Paul Hjartarson, Harvey Quamen, Andrea Hasenbank, Vanessa Lent, & emic ua
3 An Interactive, Materialist-Semiotic Archive: Visualizing the Canadian Theatrical Canon in the Simulated Environment for Theatre // Sasha Kovacs and Jennifer Roberts-Smith, Teresa M. Dobson, Sandra Gabriele, Omar Rodriguez-Arenas, Stan Ruecker, Stéfan Sinclair, Shawn DeSouza-Coelho
4 “Talk to the Work”: Applying istc Identifiers to the Digital Edition of the Canadian Bookman (1909–1941) // Ravit H. David
5 How to Play with Maps // Bethany Nowviskie
6 Edmonton pipelines: Living and Playing in the Digital City // Heather Zwicker
7 Representing Canadian queer authorship: Making the Internet a Women’s Place // Michelle Schwartz & Constance Crompton

Part II
Writers and readers: mapping textual space
8 Salomania: Maud Allan, Postcards, and Early Twentieth-Century “Viral” Circulation // Cecily Devereux
9 Toronto the Good in the Fiction and Life of Grace Irwin // Patricia Demers
10 « Where are you from? »: La ville et l’écriture migrante dans l’autofiction de Marguerite Andersen // Kathleen Kellett
11 Languages as Spaces, Translation as Play: Moving (through) Languages // Lori Saint-Martin
12 L’espace ensorcelé: Les enfants du sabbat d’Anne Hébert // Stéphanie Walsh Matthews
13 Lieu humain / lieu personne chez deux écrivaines canado-vietnamiennes, Thuong Vuong-Riddick et Kim Thúy // Mireille Mai Truong
14 Standing on a Rainbow: Reading in Place, Position, and Time // Margaret Mackey

Contributors / Collaborateurs
Index

Description

“Notwithstanding their differing approaches—digital, archival, historical, iterative, critical, creative, reflective—the essays gathered here articulate new ways of seeing, investigating, and apprehending literature and culture.” – From the Preface

This collection of essays enriches digital humanities research by examining various Canadian cultural works and the advances in technologies that facilitate these interdisciplinary collaborations. Fourteen essays—eleven in English and three in French—survey the helix of place and space. Contributors to Part I chart new archival and storytelling methodologies, while those in Part II venture forth to explore specific cultural and literary texts. Cultural Mapping and the Digital Sphere will serve as an indispensable road map for researchers and those interested in the digital humanities, women’s writing, and Canadian culture and literature.

Contributors: Jeffery Antoniuk, Susan Brown, Constance Crompton, Ravit H. David, Patricia Demers, Shawn DeSouza-Coelho, Cecily Devereux, Teresa M. Dobson, Sandra Gabriele, Isobel Grundy, Andrea Hasenbank, Paul Hjartarson, Kathleen Kellett, Sasha Kovacs, Vanessa Lent, Margaret Mackey, Breanna Mroczek, Bethany Nowviskie, Ruth Panofsky, Mariana Paredes-Olea, Harvey Quamen, Jennifer Roberts-Smith, Omar Rodriguez-Arenas, Mary-Jo Romaniuk, Stan Ruecker, Lori Saint-Martin, Michelle Schwartz, Stéfan Sinclair, Mireille Mai Truong, Stéphanie Walsh Matthews, Heather Zwicker.