The Struggle for Canadian Copyright

Imperialism to Internationalism, 1842-1971

By Sara Bannerman
Categories: History, Canadian History, Law & Legal Studies, Legal History, Social Sciences, Popular Culture, Communication & Media Studies
Publisher: UBC Press
Hardcover : 9780774824040, 304 pages, February 2013
Paperback : 9780774824057, 304 pages, July 2013
Ebook (PDF) : 9780774824064, 304 pages, February 2013

Table of contents

1 Introduction

2 Canada and the International Copyright System

3 Imperialism: Canadian Copyright under the Colonial System, 1842-78

4 United Empire: Canada and the Formation of the Berne Convention, 1839-86

5 Berne Buster: The Struggle for Canadian Copyright Sovereignty, 1887-1908

6 The New Imperial Copyright, 1895-1914

7 Copyright “Sovereignty,” 1914-24

8 Copyright Internationalism: Canada’s Debut, 1927-36

9 New Directions, 1936-67

10 Crisis in International Copyright, 1967

11 Re-engagement, 1967-77

12 After 1971

13 Conclusion

Notes

Bibliography and Archival Sources

Index

This compelling, often controversial appraisal of Canada’s place in the multilateral copyright system offers the first broad yet detailed history of international copyright from a Canadian perspective.

Description

First signed in 1886, the Berne Convention for the Protection of Literary and Artistic Works is still the cornerstone of international copyright law. Set against the backdrop of Canada’s development from a British colony into a middle power, this book reveals the deep roots of conflict in the international copyright system and argues that Canada’s signing of the convention can be viewed in the context of a former British colony’s efforts to find a place on the world stage. In this groundbreaking book, Sara Bannerman examines Canada’s struggle for copyright sovereignty and explores some of the problems rooted in imperial and international copyright that affect Canadians to this day.