Marion

The Story of an Artist's Model

By Winnifred Eaton & Karen E.H. Skinazi
Publisher: McGill-Queen's University Press
Paperback : 9780773539624, 410 pages, March 2012
Ebook (PDF) : 9780773587298, 410 pages, March 2012

Description

The daughter of an English merchant father and Chinese mother, Winnifred Eaton (1875-1954) was a wildly popular fiction writer in her time. Born in Montreal, Eaton lived in Jamaica and several places in the United States before settling in Alberta. Her books, many of them published under the Japanese pseudonym Onoto Watanna, encompass the experiences of marginalized women in Canada, Jamaica, the United States, and a romantic, imagined Japan. Marion: The Story of an Artist's Model is Eaton's only book that explicitly deals with being "foreign" in Canada. The novel follows the life of "half-foreign" Marion Ascough - a character based on Eaton's own sister - while never identifying her "foreignness." Escaping the unrelenting racial discrimination her family endures in Quebec, Marion follows her dream of being an artist by moving to New York, where she becomes "Canadian" instead of ethnic - a more palatable foreignness. Having successfully stripped herself of her ethnicity, Marion continues to experience discrimination and objectification as a woman, failing as an artist and becoming an artist's model. Karen Skinazi's introduction to Eaton's fascinating narrative draws attention to the fact that although the novel uses many of the conventions of the "race secret" story, this time the secret is never revealed. This new edition of Marion: The Story of An Artist's Model brings back into print a compelling and sophisticated treasure of Asian Canadian/American fiction that offers a rare perspective on ethnicity, gender, and identity.

Reviews

"Marion plays a unique role in Eaton's oeuvre and Karen Skinazi makes a compelling case for the novel's complexity and significance. Future scholars will be grateful for Skinazi's fine introduction." Floyd Cheung, Smith College

"The value of Marion lies not only in what it captures of the Eatons, but in what it says about race, prejudice, and titillation in late nineteenth-century Montreal ... Skinazi's generously illustrated introduction contains some of the most insightful wri